Fresh Fire: Dunsin Oyekan Unveils “New Wine (Live)”

There’s a certain expectation that comes with a new release from Dunsin Oyekan. Not just music, but moments. Not just songs, but encounters. With his latest album “New Wine (Live)”, he leans fully into that identity—and then stretches it even further.

Released in April 2026, New Wine (Live) arrives as a deeply immersive worship project, running over three hours and built around extended, spirit-led expressions rather than conventional song structures. What this really means is simple: this isn’t background music. It’s an atmosphere.

A Sound Rooted in Renewal

At the heart of New Wine is a clear message—renewal, fresh outpouring, and deeper intimacy with God. The album feels like a call to step out of routine Christianity and into a living, breathing relationship with God marked by hunger and consecration.

From the very first track, Praise The Lord, to the closing declaration Amen, the project follows a spiritual journey—starting with adoration and ending with blessing. It’s intentional. It’s structured like a worship meeting, not a playlist.

Powerful Collaborations, One Unified Sound

This project also brings together voices that carry weight in the global worship space. Features include Victoria Orenze, Theophilus Sunday, E. A. Adeboye, and John Wilds. Each adding texture without taking away from the album’s singular focus: Jesus.

One standout already gaining traction is Baruch Hashem Adonai, a chant-like expression that has taken on a life of its own in worship gatherings, even influencing spontaneous expressions during live ministrations.

Beyond Music: A Worship Experience

Here’s the thing, Dunsin Oyekan has never really made “songs” in the traditional sense. His projects are more like spiritual journeys captured in sound. New Wine (Live) continues that pattern.

The album carries the DNA of his previous works like Generation Intimacy (Live) and The Great Commission, but this one feels more stripped, more raw, more urgent.

It’s less about performance and more about posture.

Why This Album Matters Now

In a time where gospel music can sometimes drift toward entertainment, New Wine recenters the conversation. It reminds listeners that worship is first about surrender before it becomes sound.

For believers, this album is an invitation:

• To linger longer
• To go deeper
• To desire more of God

And for the global gospel community, it reinforces something powerful—Nigeria continues to be a wellspring of revival sounds shaping worship worldwide.

Final Thoughts

New Wine (Live) is not an album you rush through. It’s one you sit with. Pray with. Return to.

Dunsin Oyekan isn’t just releasing music—he’s stewarding a sound. And with this project, that sound is clear: God is pouring out something new. The only question is—are we ready to receive it?

Listen via the links below

Tribute to Late Ron Kenoly

There are voices you listen to… and there are voices that shape your faith.

Ron Kenoly belonged to the second group.

For many of us, his music wasn’t just something we played in the background. It was the soundtrack of our worship, the sound of Sunday mornings, the energy of choir rehearsals, and the fire in moments when words alone weren’t enough. He didn’t just sing songs. He led people into an experience.

Here’s the thing about Ron Kenoly: he understood something powerful about praise. He knew that worship didn’t have to be quiet to be deep. It could be loud, joyful, energetic, and still carry the weight of God’s presence. Songs like Jesus Is Alive, Ancient of Days, and Lift Him Up didn’t just fill rooms, they lifted hearts.

He had a way of making worship feel alive.

His music crossed borders effortlessly. From churches in the United States to congregations in Nigeria and beyond, his sound resonated. Choirs sang his songs like anthems. Worship leaders drew inspiration from his style. Entire generations learned that praise could be both structured and spontaneous, both powerful and deeply personal.

What this really means is that Ron Kenoly didn’t just contribute to gospel music, he helped define a movement.

Beyond the music, there was a consistency to his message. Joy. Victory. Celebration. Even in difficult times, his songs reminded people of hope and the unchanging nature of God. That kind of message doesn’t expire. It stays with you.

And that’s the thing about legacies like his. They don’t fade when the person is gone.

They echo.

Every time a choir bursts into Jesus Is Alive with full energy, every time a congregation lifts their hands to Ancient of Days, every time someone chooses praise over despair, a part of his impact lives on.

Ron Kenoly may be gone, but what he carried, what he gave, and what he ignited in worship will continue for generations.

Rest well, sir.

Your voice still leads.